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Early morning on that workflow 💲💯#early #morning #workflow #money #barbizon #internship #miami #miamimodels #boca #makeup #eyes (at Renaissance Hotel)
ganymedesrocks: Agnolo di Cosimo (1503 – 1572) was an Italian Mannerist painter, the leading painter of mid-16th-century Florence. Mixing styles of the late High Renaissance into the early Baroque period, Mannerists often depicted their subjects in
kafkaesque-world: Franz Kafka’s Residence (1889-1896), Prague. During Kafka’s early childhood, his family lived in a 17th-century house – called the House of the Minute (Minuta) with beautiful Italian Renaissance-style sgraffito frescos on biblical
lyghtmylife: GALLEGO, Fernando [Spanish Early Renaissance Painter, ca.1440-1507] The Blessing Christc. 1492Oil on panel, 169 x 132 cmMuseo del Prado, Madrid
Andrea del Castagno (Castagno c. 1421 - Firenze 1457); Madonna col Bambino e i Santi (Madonna with Child and Saints), c. 1445; fresco, 212 x 290 cm; Galleria degli Uffizi, Firenze
Masaccio (Tommaso [Maso] di ser Giovanni [di Simone] Cassai; San Giovanni Valdarno 1401 - Roma 1428); Madonna Casini or “Madonna del Solletico” (“Tickling Madonna”), c. 1426; tempera and gold leaf on panel, 18,2 x 24,5 cm; Galleria
Benozzo Gozzoli (ca. 1420 - 1497), Madonna col Bambino e angeli tra i santi Giovanni Battista, Maria Maddalena, Agostino e Marta, 1466; tempera and gold on panel; San Gimignano, Museo Civico
Piero della Francesca (between 1410/1420 ? - 1492), Battesimo di Cristo (the Baptism of Christ), around 1450; tempera on panel, 167 x 116 cm; National Gallery
italianartsociety: By Anne Leader Melozzo degli Ambrogi da Forlì died on 8 November 1494 in his hometown. Melozzo’s style bridges the early and High Renaissance, and he found success at the courts of Urbino and the Vatican. While at the court of Federico
Antonello da Messina (Italian, ca. 1430 - 1479), Saint Jerome in his Study, ca. 1475; oil on lime, 45.7 x 36.2 cm; National Gallery, London
Masaccio (1401-1428), Polittico di Pisa (Pisa Altarpiece), 1426. Upper register - Saint Paul of Tarsus, tempera on gold ground and wood panel, 51x30 cm; Museo Nazionale di San Matteo, Pisa
Pesellino (born Francesco di Stefano, ca. 1422-1457), Madonna and Child with six Saints, late 1440s; tempera and gold on panel, 22.5 x 20.3 cm; the Metropolitan Museum of ArtLeft to right of the observer, the Saints are Anthony Abbot, Jerome, Cecilia,
Petrus Christus (Flemish, 1410-1475), Portrait of a Carthusian, 1446; oil on oak panel, 29.2 x 18.7 cm; Metropolitan Museum of Art “Portrait of a Carthusian featured a halo above the monk’s head when it was acquired by the Metropolitan Museum of
Hans Baldung (called Hans Baldung ‘Grien’, German, ca. 1484-1545), Madonna with Child and parrots, 1533; oil or tempera on lime panel, 91.5 x 63.3; Germanisches Nationalmuseum, Nuremberg
Paolo Uccello (Italian, 1397-1475), The Thebaid (Scenes from the Lives of the Hermits), about 1460. Tempera on canvas, 83 x 118 cm; Galleria dell’Accademia, Florence
Alesso Baldovinetti (Italian, 1425-1499), Madonna and Child, ca. 1460-65. Tempera on wood panel, 106 x 75 cm. Musée du Louvre, Paris
Sassetta (Stefano di Giovanni di Consolo, Italian, active by 1423 - died 1450), from the Borgo San Sepolcro Altarpiece (1437-1444), The Funeral of Saint Francis and the Verification of the Stigmata. Egg tempera and gold on poplar, 88.5 x 53.5 cm. National
fuckyeahrenaissanceart: Madonna, Fra Filippo Lippi. Italian Early Renaissance Painter (1406-1469)
newyorker: Sarah Archer on the surprisingly long history of the Peeps diorama:By the early Renaissance, inventive European court confectioners were crafting elaborate sculptures for special meals, often designed to echo or compliment the themes of the
troyschooneman: Final portrait of the beautiful Kyle from the United States. This portrait is entitled “The Renaissance Lover II” and is inspired by the paintings and style of the early Mannerists. www.troyschooneman.com
troyschooneman: Final portrait of the beautiful David from the United States. This portrait is entitled “The Renaissance Lover II” and is inspired by the paintings and style of the early Mannerists. www.troyschooneman.com
kafkaesque-world:Franz Kafka’s Residence (1889-1896), Prague. During Kafka’s early childhood, his family lived in a 17th-century house – called the House of the Minute (Minuta) with beautiful Italian Renaissance-style sgraffito frescos on biblical
ganymedesrocks: Solid lost wax bronze statuette of a Discobolus in the roundlate Renaissance to early BaroqueRome circa 1700